![]() The autobiographical character was a prototype for the misunderstood, sympathetic outsider at the center of most of Burton's subsequent films. After working as an animator on "The Fox and the Hen" (1981), Burton was given $60,000 by Disney to create anything he wished, which he used to make the six-minute animated short, "Vincent" (1982), a wryly amusing film portraying the dual life of a tortured, but seemingly normal suburban child who lives in a fantasy world of Gothic horror while imagining that he is Vincent Price (who incidentally served as narrator). Though not a good student, his artistic talent nonetheless earned him a scholarship from Disney Animation to learn the craft at the California Institute of the Arts in Valencia, CA.ĭrawing inspiration from Vincent Price movies, German expressionism and Gothic horror movies from the 1930s, Burton went to work for the Mouse House as an apprentice animator, though he ultimately proved to be ill-equipped to do things the Disney way. In that cauldron of simmering adolescence, Burton only grew more withdrawn, cementing his feelings as perennial outsider, a theme that later permeated his finest work. When he was 10 years old, Burton went to live with his grandmother until he reached high school, much to the dismay of his parents. Eventually, his inability to communicate - coupled with his fascination with the macabre side of Hollywood - sparked an interest in drawing and animation. Burton's withdrawal from his home life - particularly from his father - led him to spend time daydreaming, watching B-movies and pouring through issues of Famous Monsters of Filmland. 25, 1958 in Burbank, CA, Burton grew up a lonely and isolated child who quickly became disenchanted with his homogenized suburban surroundings. Once considered an eccentric outsider, Burton had, without a doubt, evolved in to one of Hollywood's most admired and successful filmmakers with an instantly recognizable point of view.īorn on Aug. Three years later, the director delivered the smash hit "Alice in Wonderland" (2010), quickly followed by "Dark Shadows" (2012) and "Frankenweenie" (2012). Further cementing his reputation as a visual artist of the highest caliber, Burton lent his dark, deft touch to the likes of "Sleepy Hollow" (1999), "Big Fish" (2003) and the acclaimed macabre musical, "Sweeney Todd: The Demon Barber of Fleet Street" (2007). ![]() With "Ed Wood" (1994), however, Burton finally earned the respect of critics with his comically optimistic look at a befuddling filmmaker (Johnny Depp) prone to cross-dressing and making bad movies. But his films were financially successful, leading to him directing the first two installments of the lucrative Dark Knight series, "Batman" (1989) and "Batman Returns" (1992). Starting with "Pee Wee's Big Adventure" (1985), Burton quickly developed a reputation for a surreal artistic vision that often overshadowed narrative necessities. ![]() With his roots in drawing and animation, Burton crafted over his career distinctly designed films that reflected the gothic horror influences of his youth. Despite his contrarian artiste nature and indie filmmaker persona, director Tim Burton helmed some of the biggest blockbusters in Hollywood history. ![]()
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